Post-Yugoslav Film: Style and Ideology

 

The Morphology of the Socialist Film Art

The Concept
Iván Forgács

Could there be a full gap between a state's political function and its ideology and recordable values with a humane trend? If not, in what kind of elements can be revealed the link? Is the opportunity of the violence game for this humanism inside? Could that state oppressor machineries work in the context of the humanism? How much was the film art of the East European state socialism specific? How much can be the intellectual-artistic peculiarities of the region's film production derived from the ideological values represented officially in these countries? May we talk about socialist cinema art in any kind of sense? Read more

The Concept
Iván Forgács


 

Change in the Central-East-European Concept of Film Culture

Theoretical Framework: Canon, Canonisation, School 2
Imre Szíjártó

Introduction
Imre Szíjártó


 

Bulgarian Cinema after 1989

Postmodernist Film Interpretations of the Communist Past
Krasimir Kastelov

The proposed analysis of key films from the Bulgarian and the East European cinema shows, that their postmodernist specifics is not accidental, but it reflects the overall feeling of crisis, lack of meaning and absurdity which has engaged the minds of many filmmakers from our region – something typical for the transition between two eras, when one cultural paradigm is put aside, but a new one is still not widely adopted. On the other hand, the appearance of those films, in my opinion, refutes the premature conclusions of some Western theorists that the postmodernism is already dead.  Thirty years after the first swallows of the postmodernist cinema in the West, the film art in the post-totalitarian East European countries takes advantage of its lessons in order to make sense of some of the unpleasant episodes of the communist past, “with irony, not innocently” by Umberto Eco’s definition. The wide international reaction to most of the titles, analyzed in the current overview, suggests perhaps the right path for overcoming the nostalgia of that era.  Read more

Introduction
Krasimir Kastelov


 
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